A Transparency of Skin

The November sun angles through the window onto my mother’s thin arm resting on the worn oak kitchen table. We are in a house built high in the air; a treehouse perched above a brown ribbon of bayou. Every day she comments on the trees and sky as though they are her companions. The skin of her arm in the sunlight is transparent. The web of blue veins is illuminated like a map of tiny tributaries. I imagine them as different kinds of paths. Maps of hiking trails studied in that moment before you set out. A schematic of electrical circuitry. The patterned design of a turtle shell. Or as paths of energy, what they call Chi, the life force that binds all things in the universe. Her wedding band slips on a delicately bony finger. She is 98 years old, and when she says ‘Daddy’ I know she does not mean the man she was married to, my father, but her own. Their conversations are part of her solid memories that persist among the fleeting ones, like what we ate for lunch or how she fell and bruised her knee this week. I’m afraid the skin will tear in places, and she will leak out. Yet for nearly a century the skin has held this tough, compassionate and loving spirit tethered to the earth, the veins an imprint of one unique human life. One day she will leave both skin and veins behind.

 

 

She Will Find Me

 

I arrived to visit my mother on what would turn out to be one of her final days. I was informed that when the massage therapist arrived earlier in the day my mom told the therapist to please not bother her and to go away because she, my mother, was at church. When I went into her room, indeed she was sitting by the window with her eyes closed and a perfect Buddha smile on her lips. She seemed very content. I tried to interrupt her. She looked up at me and smiled and shook her head and waved me away gently. I sat back and let her be until she suddenly seemed to realize that I was there needing her attention. She came out of her trance to be with me, but reluctantly.

How many times in her life had a child interrupted her in whatever soulful activity she may have been engaged in? And how many times did she pull herself away to be present for them? I felt selfish; at that point I was needy, needing her to be present with me as much as possible, needing her to stay on this earth.

It did give me great consolation to see her in that state, in church as she called it. She had told me around that time, after the chaplain came to see her, that she didn’t need anyone to tell her how to pray, she had been doing it for a long time, and already knew how. When I saw him with her the one time, I couldn’t help sense that she was the priest and he, the supplicant. She took his hand in both of hers and gazed into his eyes to thank him for coming. He seemed a bit humbled by her attention, and responded awkwardly, his usual greetings seem to fail him.

Recently, while praying, I became very aware the ticking of the clock she had loved that now hung on the wall of my room. She loved to tell the story of how we found it at the hardware store in Fairhope, Alabama, all dirty and dusty on top of a box on the floor. Just waiting for us in the middle of a chaotic mess. She loved that clock. The clock seemed to be ticking very loudly, and I thought, that clock does not belong here. I opened my eyes and looked at it, then at some of her other things, her purse, which I have yet to empty, her statue of Mary, her photo of her parents. I felt strongly that these things did not belong here in my space. They were in the wrong place.

For decades, her physical space, where her body lived, with all of her things around her, was my refuge. I always said that I could sleep more soundly in her presence, under the same roof with her, than anywhere else. It made no difference if we had disputes and disagreements, or when she was unhappy with some of my choices. None of that seemed to matter. The core of the connection seemed to remain intact. I think that must be a unique blessing, at least that’s the sense I get talking to other people about their relationships with their parents. Or siblings, or anyone.

Now I try to recall the sensation I had when I was in her presence and most often, I am able to do it. I’m afraid that will fade with time. Because I lived far away from her, and visited several times a year, I think that the habit of this decades long practice is still with me. I am still waiting for the next time I will go home, and she will be there. That is painful, but grief is the other side of love, so I am thankful for it. As Rilke says, we should not beg for consolation for in losing the grief we lose the opportunity to continue to love and learn from that love.

What continues to surprise me is that I keep learning from her daily. From the life she modeled, from her embrace of death, from the shared sentiments of so many whose life she touched. She is teaching me still how to live a life of joy and service. And I believe that as long as I seek her out, she will continue to find me.

 

Scraps of Life Part 3: 1943-1945

1943: The Little Prince is published. New Orleans Opera Association formed. Norman Rockwell’s Rosie the Riveter appears on the cover of the Saturday Evening Post. Duke Ellington plays at Carnegie Hall. First US air raid against Germany.

She walks over to the porch railing and leans against it. “See that beautiful blue sky? I line everybody up there, each day, Mama, Daddy, Earl, Donald, Pearl, Edith. All of them. Like they’re waiting for me. I don’t know why I’m still here. I don’t understand it. You see all those movies with people up in heaven. But nobody knows. You just have to wait until you die and see for yourself. I didn’t want to lose my mother, or Pearl. I’d like to see them again. But nobody knows.” 

A boat comes into view from the direction of the Gulf, a pontoon boat with a couple and two children. The children wave and she waves back. The osprey lifts off its perch, and its shadow reaches the water before it opens its wings and soars above the surface of the bayou. 

“They were taking so many boys that all the girls could get the jobs. The girls waited in long lines for jobs. Loved putting those dollar bills in Mama’s hand. I worked at the Naval Air Base on the lake. That’s how I met your Daddy. Ruby. I knew her from the base.”

In 1942 she began a correspondence with a sailor whom she’d never met. They had a mutual friend.  You will probably be the most surprised girl in N.O. when you receive this letter. You can blame it on a friend of yours, she says that she thinks you are so nice…as far as talking and dancing or maybe being a sailor, I think I am ok, but when it comes to letter writing I would make a better ditch digger.

“There was a big school at the base. It’s on the lake, where that college is now. It was some kind of naval training school. So many handsome boys. They were just teaching those boys how to go off and get killed. All of them taking off in planes and we knew some of them weren’t coming back.”

The letters go on for three years, dozens of them, eventually filled with hope and longing. It won’t be long now, my darling, or Here I am again at midnight, for our visit, missing you more each day

1945: Debut of Caspar the friendly ghost. Moisant International Airport opens in New Orleans. Anne Frank dies at Bergen-Belsen concentration camp. Bombings of Nagasaki and Hiroshima, war with Japan ends, September. 

“I’ll never forget when I heard about those camps. We couldn’t believe it. Walked around in a daze. Crying. Praying. Horrible pictures. You just don’t want to believe it. Then the boys were coming home.”

A brief meeting during a Christmas furlough came in 1943 and two more years of letters. Then after months of sitting on a ship waiting for news of Japan’s surrender, the war was over and he was headed for California. An engagement ring arrived in the mail on General Taylor Street in 1945, and he was back at home soon after.  

“I had hay fever the day he got back. At the train station in New Orleans so Pearl and Miriam went. I think he was disappointed that it turned out I wasn’t one of them. They were so beautiful. Then Pearl and Miriam ended up marrying his two buddies. Two he met on the train. Brothers. You remember, Uncle Louis and Uncle Garrett?”

But only a few months after the engagement, something happened. 

“I don’t know what to call it. It was like a shock. I felt so happy. I just knew I wanted to be a nun. Ran home after work so excited to tell everybody. The Poor Claire’s. That’s what I wanted. Cloistered.” 

She broke the news to him as he lay in a hospital bed for minor surgery. “Your Daddy, poor man, he said, ‘why does everything happen to me.’ He was at the Veterans hospital getting his eye operated on. Mama was so upset. ‘You can’t be a nun; you love babies too much!’ I thought she would be happy. But Daddy, my daddy, he quit drinking when he heard. I can’t believe that.”

Their families conspired to get her to change her mind. “They brought him over. In his dress blues. It was that, I guess, and that red wavy hair. He kept it short after that and I never saw it again. Of course, I can’t say I regret anything because I wouldn’t have my children if I was a nun. He had a lot of good qualities. He was a good man.” They were married December 1, 1945.

She opens the door to go back inside and presses her back against the doorframe. “Do you do this? For a straight back. The nuns used to say, look at Marjorie, sit like Marjorie.” 

Her oak table is where life is lived now, seated in a hard straight-backed chair. A little bit of make-up, bobby pins to hold back the white hair on her neck, moderate amounts of sweets, caffeine, and, lately, wine. 

“You’re still working on your book, aren’t you? Don’t give up. It can take a long time to get published.” She cuts an orange into four wedges and works her teeth into the flesh. “You don’t like oranges? I love oranges. Do you peel them? A lot of people peel them, but I don’t. I like to scrape the white part off with my teeth. Do you think it’s bad for you?” She stares at the TV and eats.

“I wrote for the school paper. That’s what I wanted, to be a journalist. I typed some of my stories with a Royal typewriter. Loved to type. I was pretty fast, too.” The orange wedges are scraped clean. 

A T-Mobile ad comes on the TV with some upbeat electronic music. She does a little jiggly dance in her chair. “Do you dance by yourself sometimes? I do. Right here in the kitchen. Nobody can see me. Sometimes you have to dance.” 

She stares at the quiet TV and picks up stray pieces of orange peel. She changes the channel with the remote. “We can put on a movie. See if there’s a good movie on. I’m glad we get to talk as much as we do. I wish I could have talked to Mama like we talk. Poor Mama. She was always so busy. And so tired.” She shakes her head back and forth. “Having a baby in the room next to your dead child.”

The scraps under the placemat come out again for perusal, one by one. Scraps of life, bits of memory, this one life among many, each one with its own scraps, its own bits of memory that will matter to the biographer going through them for clues. They also matter to a world trying to comprehend itself, a world collecting scraps and bits to put together a true story of humanity, not a list of battles and presidents, epidemics and revolutions.

In the early evening a great blue heron barks and the porch is on fire with the sunset. A small wood fishing boat heads back from the Gulf and startles the heron. The broad wings open as the huge bird lifts off and its shadow crosses the bayou. The light is almost gone and the osprey remains as a sentry on its branch high above the water. 

Jazz drifts out again onto the porch. Pete Fountain’s melancholy clarinet. The shade on the glass door is open. She’s dancing with her eyes closed and one hand resting on the back of the chair. The other arm is extended and her hand floats at her waist, the long, curled fingers open to the ceiling. 







Scraps of Life Part 2: 1935-1943

1935: The Social Security Act is signed. Huey Long, governor of Louisiana is assassinated in Baton Rouge. Hitler breaks the Treaty of Versailles five times. Amelia Earhart is first to fly solo from California to Hawaii. Alcoholics Anonymous is founded in Ohio.

She sets a pan of water on the gas stove, waits for it to boil and leans against the counter. “Pearl didn’t finish school, but she was very intelligent. I finished school. I wrote for the school paper. I wanted to be a journalist. Pearl quit school to go to work. She put that paycheck in Mama’s hand every week. Proud of that. So beautiful. Men wouldn’t leave her alone. A temptation. For her.”

Pearl is her opposite, and she was closest to Pearl, the one who wore red, looked like a movie star, liked her Lucky Strikes and scotch, and ran off with a jazz musician. “I won’t wear red, even though Mama said it was my best color. Daddy told me only whores in the French Quarter wear red.” She also never drank or smoked, listened to classical music and opera. Her favorite book is Wuthering Heights. Her sisters thought of her as a prude, modest to a fault, the holy one, always helping their mama. 

“Nobody told me Pearl died. Did y’all want to keep it from me? All of a sudden, she’s gone. That’s over. I was holding her hand. In the hospital, I held her hand. I wish I’d stayed longer; I think I rushed off. Hope I didn’t rush off.”

She sets down a cup of tea and a chipped plate of graham crackers on a plastic-coated Christmas placemat, stained and torn on one end. The surface of the placemat is uneven from all the bits of paper stored underneath. “When I die, you’re gonna have to go through all this.” She laughs. 

A collection of tiny scraps of paper: grocery lists, reminders, dates, names and phone numbers, calculations of her age, word puzzles, holy cards of Mary and the Sacred Heart of Jesus. She fumbles with the scraps and straightens them, glancing at one or two, putting them in some order so the mat falls smooth on the table. She moves her cup on top of Santa’s beard and dips a graham cracker into her tea until it gets soggy. 

 “I never saw Daddy drunk. But your Aunt Edith says I only remember the good things. He used to send me to the library for books. We would discuss them. History books. Literature. He was a different person when he stopped drinking. He looked so young again.”

1938: Snow White, the first cel-animated film, is released. Kristallnacht, Nazis mobilize against Jews. Benny Goodman’s famous Carnegie Hall jazz concert. Charity Hospital built in New Orleans. Eddie Cantor requests dimes sent to Roosevelt to fight polio, the March of Dimes. 

She dips another graham cracker in her tea which looks like sludge from the disintegrating cookies. “Dorothy had meningitis. Very contagious. She was bent backwards. They had to put her in a tub of very hot water. She was always a little slow after that. But she learned to read. She did learn how to read.

“We had polio, too. Earl, he’s the one who had polio. Had to sit on the porch for a long time. Couldn’t play in the street with the other boys. He never should have married that girl. She tricked him with one of those, what do you call it? Where you push something around and it tells the future? A Ouija board. We were all around it one night, and she tricked that boy into marrying her with that Ouija board. She was a gypsy.

“And there was whooping cough, too. They put a sign on our front door. ‘Warning: Whooping cough here.’ Something like that. We couldn’t go to school. The whole school could get it.

“I don’t know why I’m crying.” She wipes her face. “Betty died from it. Elizabeth was her real name, but we called her Betty. Betty was the prettiest baby of all of us. My hair was dark, from the Spanish side, but Betty had golden curls and crystal blue eyes. She came after Miriam and Edith, but she was prettier. 

“Betty was my eyes. We used to say that, it means that she was everything to me. At the age when little girls love babies. So full of life. She started with this terrible cough that kept us awake at night. Couldn’t catch her breath. She would wheeze. Mama couldn’t get it to stop. Whooping cough. Mama was pregnant with Bobby. Mama told me to take her to the grotto. It was Our Lady of Prompt Succor, I think, or maybe Our Lady of Lourdes.”

The grotto is still there, tucked between two buildings outside St. Mary’s Church, on Constance and Josephine Streets. It is the national shrine of Father Francis Seelos, who died during the yellow fever epidemic of 1870. 

“Your Daddy built me a grotto.” It was made out of lattice with a yellow-stepped stone wall on either side and a blue-and-white-painted statue of Mary holding pink roses. We were able to stand inside it for our First Communion photos and -hold our mock Masses there with the neighborhood kids. “He was good to me. He made that little alcove in the bedroom wall, too, for my altar.” 

“At St. Alphonsus or St. Mary’s Church. I don’t remember it much. Mama said, ‘If you get to Magazine Street, you went too far. Wrap her up in this blanket. Go as fast as you can.’ She had Miriam and Edith at home, and she was big, pregnant with Bobby, so she told me to do it. I was nine or ten.

“I didn’t want to take her. I was afraid I’d get lost. It was chilly for October, and I forgot to wear my sweater. I went fast, pushing the buggy. My arms got cold. Betty’s face was light blue, like an eggshell. Her curls were sweaty from coughing. Trying to pull air in like a fish. You know how a fish does that after they throw it on the shore? After that they took her to the doctor. She ended up at Charity. The Charity Hospital in New Orleans just opened for poor people. No phone at our house so we asked the boy at the grocery across the street to come get us.”

The points of her elbows rest on the table, and her hands are balled into fists. The veins protrude through the spotted skin like they are ready to separate from the flesh. She starts to weep. “That baby died alone. They wouldn’t let us in. Because it was contagious. Or because we were poor. They wouldn’t let us see her. “I don’t like to cry in front of you.” 

The next sobs are stifled. “They put her in the parlor. Mama wouldn’t come in. Bobby had just been born in the other room, so she stayed in there with him. Mama wanted to remember Betty the way she was. Happy and full of life.” 

1940: 17,000-year-old cave paintings discovered in Lascaux, France. Walt Disney’s Fantasia premieres. Penicillin is proven and purified. Paris bombed by the Luftwaffe. Naval Air Base commissioned at Lake Pontchartrain, New Orleans.

A pontoon motor murmurs on the bayou. The Kleenex balls up in her hand and the other hand fumbles with the things on her table, the placemat, the scraps under it, a powder compact, a lipstick, pens and tablets, a prayerbook. 

A sunburst lights up the kitchen. “Oh, look at that sun! Let’s go sit on the porch. I need to get my Vitamin D.”

The long blue-and-white porch high is flanked by two blooming mimosa trees, the ancient cypress and the brown strip of bayou. The sun reflects off the white breast of an osprey preening up high in a lofty eastern pine. For the first time in thirty years since her husband, my father, died, she is not living independently, a decision she did not make on her own, and one although perhaps safer, is not in line with her desires or views of herself. 

“I’m going to walk down later those steps later. Your brother wants me to tell them when I walk down the steps. But I don’t always tell them. I do it when they’re not home. I think it’s forty steps? But there are, what do you call it? Landings. I used to sit on the stair landing on General Taylor Street. It had a window on the landing, and I used to sit there and sing. I took the bus to singing lessons.

A few leaves blow up from the lawn and circle around the porch. “Do you like to rake? I love to rake. I love to sweep, too. I love the feel of a broom in my hands. I don’t have to do much around here anymore. Your brother does everything. Even comes in my room to clean the floors. He doesn’t have to do that. I could do it.

“All those years after your Daddy died, I lived alone, it was fine. I never needed friends, or clubs like some women do. I had my plants, my books, the opera. That was enough. Had somebody take me to the grocery, and to Mass.” 

She pulls up the robe to let the sun hit her thin legs. “I wouldn’t do this if anybody could see me. Are you sure Pearl is dead? So, that’s over, then? Ten years. That’s a long time.”

Scraps of Life Part 1: 1922-1935

 

For we think back through our mothers and grandmothers if we are women. - Virginia Woolf

 

In a photo from New Orleans circa 1940 a woman leans back on her hands with her back arched and presents herself to the world. Her smile is open and generous, confident. Her dress is tailored, her legs crossed at the ankles. Stones and leaves are scattered around her stylish open-toed heels. Behind her is a blank brick wall etched with the shadows of leafless branches. Her body is angled away from the photographer as if she is laughing at something in the distance. On the other end of the ornate concrete bench sits an abandoned baseball cap. The owner of the cap as well as the photographer are unknown, and I wonder who coaxed such a sensual and beguiling portrait out of the woman I sometimes think I know. 

 

1922: Marjorie Peyton LaCour, born, January 27, New Orleans. The novel Ulysses is published in Paris. The New Orleans Item-Tribune begins publication. Almost one hundred people are killed while watching a silent movie in a theatre collapse in Washington, D.C. during a blizzard. Louis Armstrong moves to Chicago from New Orleans at the request of King Oliver.

Dixieland. King Oliver. Louis Armstrong. The lines of the trumpet, trombone and clarinet pour from the opposite side of the house at midnight, long after the woman who lives there is usually asleep. A woman whose consistent music of choice had been Puccini and Verdi, who knew the names of all the greats from Price to Normand to Carreras. It’s unusual to hear her listening to New Orleans jazz, especially in the middle of the night. She sits at her worn oak table, one hand on the radio knob, and she is weeping.

The house sits on an isolated strip of land in Pass Christian, Mississippi, twenty-five feet above the brown-green ribbon of Bayou Bois d’Or as it flows gently towards the Gulf of Mexico. It is a treehouse that sits atop huge pilings driven thirty feet into the ground, reinforced with crisscrossed lines of thick wire. Both sides of the house, and across the bayou, are thick with trees, longleaf and slash pine, tamarack and birch. One large moss-draped cypress tree leans over the water like an old man leaning on a cane. 

“I miss New Orleans,” she says. “I see all the houses, red clay roofs, big trees.” She gestures with a long arm like a dancer with her eyes closed. “Walking to school.” 

She brings both arms to rest on the table. The small table lamp illuminates her transparent skin. It appears the skin will tear in places, and she will leak out. The web of her blue veins is illuminated, a map of tiny tributaries or winding city streets. The lines of a turtle shell. A blueprint of electric circuitry. 

She hasn’t lived in New Orleans for over forty years, yet memories of the time there between her birth in 1922 and 1945, the year she married, are vivid even as those from the day or year before are fleeting. She has lost all but one of her siblings, her parents and husband, and she has lost New Orleans. 

She says, “Don’t you think about New Orleans? Don’t you miss it sometimes?” 

It’s her life that intrigues and fascinates me, her life and time in that city.  

1927: Great flood of the Mississippi River, worst US disaster to date. US Marines invade Nicaragua. First transatlantic telephone call is made from New York to London. Pontchartrain Beach amusement park opens in New Orleans. 

“We took the streetcar to Pontchartrain Beach. It took a long time from uptown. Don, he came to my house, all the way from the naval base at the beach. I told him he couldn’t come in. Now why did I turn him away like that? It’s my one regret. He must have liked me, coming all that way.” 

Don is the one that got away. Her one regret. Perhaps he’s the photographer or the owner of the baseball cap. I lean over for a good-night kiss and there is very little flesh, and the skeleton feels exposed and fragile. She smiles and promises that she’s not going to put the radio on again. 

The next morning, we take our usual places at the old oak table, the TV on with the sound off. It’s the fall of 2020 and she’s aware of the virus, but we don’t talk about that much. “That’s all they talk about, the virus. You have the virus where you live too? You have to go to school and teach?”

Our roles resume, roles that have evolved over forty years of visits from my home in the Midwest, the daughter-biographer and the mother, her subject. What we talk about are her memories that come and go at random. Her familiar voice continues from decades ago when she told us stories every night ‘out of her head’, except now the stories are from her own life, events, sensations, philosophies. 

The memories are harder to pin down now. She starts one, then moves to another and another before I have time to ask questions. The questions do not always resonate, and parts of the story are missing. It’s like she is going through an assortment of photographs scattered on a table, sifting through until one stands out, and takes hold, then it’s as though she has found something that’s been missing for a long time. 

She sets down the remote and fumbles with the buttons of her cotton robe. “You can try to find a movie if you want.” Every robe she has sewn has delicate flowers on a white background, side pockets for a Kleenex, and eyelet lace around the collars. Her fingers are long and bony, and her wedding ring slips as she tries to button the top button where the fabric is soiled from constant touching. 

1932: Sugar Bowl begins in New Orleans. Brave New World is published. The Lindbergh baby is kidnapped and murdered. Adolf Hitler obtains German citizenship. Start of the Dust Bowl. Radio City Music Hall opens with the Rockettes in New York. 

 “Remember when I used to kick high, all your cousins would laugh, there goes Aunt Margie kicking up her legs.” She stands up and holds onto the chair and kicks one leg up, then the other, to knee height. 

“We were poor, but we were happy. We didn’t know the difference. Always had a piano. Mama played and we all sang. Edith says Daddy was drunk and yelled a lot. You know I never heard her make a sound when she was having babies? She had them all at home. Another baby would just be there. One time they told me to go outside and get some bricks. They needed bricks; I don’t know why. I gave them to the mid-wife. 

“I used to sit on the stair landing on General Taylor Street. It had a window on the landing and I used to sit there and sing. I took the bus to singing lessons. I wanted to be a singer. I won a contest at the radio station. Pearl heard me on the radio. ‘Along the Boulevard’. Pearl said it was beautiful. Mama didn’t hear it. She was always too busy.”

Ten of them and so poor that the nuns sent them home from school with pots of red beans or vegetable soup. All the places they lived in the city, moving often when the rent was due, have street names she can list: General Taylor, Soraperu, Marengo, Arabella, Josephine.

Her mother prayed to the statues of Mary that moved from house to house with the family: the Virgin of the Seven Veils. Our Lady of Guadalupe. Queen of Peace. Mystical Rose. “Mama was smart. She went to college to be a teacher. But married women couldn’t teach. She went to St. Stephen’s Church, Pearl told me this, to ask the priest if she had to give into Daddy if he was drinking. Maybe there were six or seven of us then. He told her yes, it’s her duty as his wife.

“We were supposed to think a priest was holy, like Jesus, can you believe he told her that? 

“A long time ago I read all about priests selling indulgences. All the money they have. Telling people, they can’t use birth control. And those people can’t help it if they’re queer, they’re born that way.” Her voice lowers. “And all they’ve done to children, all those innocent children. Don’t know about the church anymore. It’s not what Jesus wanted.” 

“There might be a movie on. I think I’ll have another cup of tea.” She slips her feet into a flat soft slipper for the left foot, a wedged heel for the right foot to offset the hip and femur deformed by Paget’s disease, a form of arthritis. She pushes against the chair and the table to stand up and limps over to the kitchen counter. 

RIDING THE DOG

RIDING THE DOG

The Greyhound bus station in downtown Baton Rouge—capital of the state of Louisiana—needs some work— the restrooms remind me of family car trips to Rock City or Pensacola in the 60s and 70s when you had to stop at gas stations and use the toilets that the mechanics used. Nothing against the mechanics, but my mom and I dreaded those bathrooms—it seemed like they were never cleaned—grimed with car grease on every surface. They smelled bad. The industrial toilet paper holders at the bus station have lost their covers, so you have to hold your hand over the rolls to keep them from falling out. The toilet seats are wonky, the tile floor slicked with a sticky grey film.  The one I used did flush—from the odor I’m guessing not all of them did; none of the soap dispensers work or they’re empty; as was the hand sanitizer thingy which has a thick brown residue under the spout that I could not identify.

The waiting room has an overwhelming odor of used fryer grease that originates in a small kitchen at the back of the gift shop/convenience store that sells snack food, drinks and a few Louisiana items like Zatarain’s spice mixture, Tabasco sauce, and key rings in the shape of the state. The young man at the cash register—I bought some peanuts—was sweet and talkative. He’d moved to the state recently from out of the country and was greeting each customer with a warm smile and friendly banter. Most people in line didn’t look at him, so I made conversation and he seemed to appreciate it.

Communication from the drivers, who are usually pretty friendly and helpful, was poor. They told us to get off the bus and wait, that we would be boarding the same bus again for Lafayette and Houston in 30 minutes. One of drivers stomped his foot and shooed us inside, like we were naughty puppies—we weren’t allowed to wait outside—so we had to go back into the greasy lobby.

A nice man who spoke no English asked me to help him figure out what to do. He tried to mime the questions: Do I get my luggage off the bus? Do I wait inside or outside?  Do we get on a different bus or the same one?  How long do we wait? Ashamed of my lack of Spanish, I called my daughter-in-law who is from Ecuador and had her talk to him.

While I was trying to set up the call, a woman came inside through the back door frantically calling for help. She was short and stout and wearing a gray housedress and slip-on bedroom slippers with fur at the toes. Her grey hair was done in tiny braids against her head, and she had a righteous, you know what I mean, expression.

“That mangy dog out there chased me ‘cross the street. You got to do something about that dog.” She started shuffling in front of the ticket counter to get their attention, panting and barking like a dog. “He got the mange. Bald spots all over his back. It looks like the rabies.” The people who worked there eyed each other to see who was going to do something. They acted like this happened every day. Finally, one of them sat her down and went out to look in the back, presumably for the misbehaving dog.

Meanwhile, our driver came inside and in a frustrated, school-teacher voice commanded us all to get our luggage off the bus, we had to change buses. My daughter-in-law had just finished telling my Latino friend that we were going to get back on the same bus, and now I had to figure out how to explain what was happening. I wasn’t really sure myself since the information was vague.  Google translate is not as easy to use as I thought, and no one in the room spoke Spanish. After a few tries, he and I figured it out, laughing together at the dog-lady.

The busload of passengers was crammed into the small lobby, and people were a little miffed. The group was a good representation of the American melting pot. We were black, white, brown—more than one Asian and Latino group were represented—all ages from teen to elderly. Some people wore vacation-type clothes, others appeared to be backpacking, and others looked like they’d just gotten off a construction site. Some were tattooed, pierced and braided, some old and square like me.  I would guess there was no one in there you could call wealthy, but you never know. People were feeling put out partly because there was no explanation or apology for the inconvenience, and they had treated us like little kids in detention.

But after a while, the complaints turned into story swapping, comparing different bus stations—how when you leave the station in New Orleans, you have to be careful not to end up on the wrong street at the wrong time; how in Atlanta they warn you not to go outside the doors unless you want to be mugged; somebody started teasing that he heard we’d have to go all the way back to New Orleans to get another bus headed towards Houston. Before long everybody was talking and laughing and teasing each other. Even the non-English speakers looked like they picked up on the lift in the room.

Our bus came and we boarded, the laughing and teasing kept on. The dog-lady climbed on and announced—punctuated with much laughter: “It’s me. I’m on the bus. My name is, what y’all want my name to be today? Y’all can call me whatever you want. That young boy at the cash register, he said, where you going? I said I’m going to your house.” She laughed. “I told him I was going to his house. It’s not his business where I’m going.” (The nice kid at the cash register, trying to make conversation.)

She yelled up to the driver, “What’s your name, honey? You married? He say he’s got four wives. How many kids you got with four wives? Hunh, imagine, four wives.”

I’ll admit that I got emotional about the whole experience, probably inflating it, but it renewed my hope for the country, for humanity in general, for the possibility that love, and compassion, and humor will in the end lift us back into neighborliness and good-will, and that in the next dire situation we find ourselves, a mad virus or civil strife, we will rise to the occasion, like this group did in the greasy Greyhound bus station in Baton Rouge.  

 

The Dance of Being: Returning Home Again

This move has nearly outdone me. If you want the opportunity to experience being thrown into a canyon, freefalling with no bottom in sight, move 1200 miles across the country, in your late sixties.

I had assumed that the hard part would be the move itself, packing and getting rid of things, selling a house, leaving stable, familiar places and people, the arduous physicality of the move. But the hard part came after we got here.

People say, ‘but you went back home, right? To your home state, where you grew up, where you have friends and family? To a familiar climate? A familiar culture?’ Yes and no.

Yes, there are beloved friends and family not too far away. And the climate is welcome and familiar. The scenery, the food, the atmosphere, all welcoming and loving. But in day to day existence, many of the things that gave me a sense of being grounded have either disappeared or feel difficult or impossible here.

Of course, it’s me. It’s the psychic challenge of starting everything over again without the familiar daily routine of place, smells, people, seasons. Without knowing where things are, how to find them, how to get there and then back home again. Even as there are many wonderful and familiar and nostalgic things here, there are equal numbers of them that are new and different and challenging.

With the onset of a quiet and lonely holiday season, I found myself flailing around clinging to whatever I could for stability. I started a new meditation app; revisited Eckhart Tolle, The Power of Now; picked up books by St. Teresa of Avila and Meister Eckhart, medieval Christian mystics; read daily Christian and Buddhist messages; sought out Julia Cameron of The Artist’s Way, and Mirabai Starr, a modern Jewish mystic; studied Maria Popova of the Marginalian making sure to follow all links lest I miss the perfect quote from Rilke or O’Donahue that would be the perfect answer to my angst; listened to podcasts, On Being with Krista Tippett and old radio talks of Alan Watts.

One morning in the middle of all this while trying to observe my consciousness, or separate from it, or have a vision of the Trinity, or feel the flow, I had a meltdown. All this and I still can’t figure it out!  What is God? Who am I? What am I doing here? What matters and what doesn’t? I was driving myself crazy. Maybe it’s like being a hoarder, or addicted to social media, or to food or anything really. My brain was overloaded.

What I was searching for is here now, with me all the time, like the breath as some say, whatever it is, however you want to name it. It is not in all the books and philosophies and spiritual practices of others; it has to be mine. I thought of my mother, still teaching me from the beyond. I stopped reading and started doing things. I went into the sunny laundry room and ironed my pillowcases reveling in the smell of the hot iron, the hiss of the steam, the miracle of my hands and the warmth of the sun on my back. There is no reason for ironing pillowcases; they function just the same whether you iron them or not. As there is no reason for doing much of anything, except to do it. My cousin says that watching my mother move around our house taught her the joy of housework. It can be the joy of anything, or the pain of anything, it is simply the act of Being in the midst of all the other Being around us.

Alan Watts says each thing or creature has a game; I call it the Being game. There is the tree game, the ant game (fire ants here), the rock game, the Sharon game. I might choose a word other than game, maybe the Tree show or the Tree dance. Dance is good, it suggests something playful.

Mary Oliver also puts it well and I’ll end with this quote from her famous Wild Geese poem:

You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves…Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting-over and over announcing your place in the family of things.

The camelias also help. The yard is filled with them, overflowing bushes of color and texture. An amazing December surprise.

The transformation of memories

Our memory is a more perfect world than the universe: it gives back life to those who no longer exist. - Guy de Maupassant

I would add that it gives life back not only to the beings who have left this world, but to times and places that, as they say in New Orleans, ain’t there no more.

Being immersed once again in the air of the Deep South has awakened memories. The smell of the sweet olive warming in the sun, the mockingbird’s endless operatic warbling, the feel of the humidity on my skin and the arching canopies of live oak trees- all of it is creating a time machine effect. I’ve been thrown down the rabbit hole and as I fall, things from childhood appear. The descent is slow. The images are blurred at first. They remain blurred around the edges, none of them achieve full clarity.

I would like to believe that we never lose a memory, but that they transform over the course of our lives. Instead of mourning their loss, I’ve decided to embrace the idea that they are responsible in part for those vague, unexplainable moments in life, some lovely and awe filled, others not so much. They pass quickly, you have to be ready, like the servant waiting for the master who could come home at any minute, otherwise you can miss them. A wave of sensation like the scent of the sweet olive from some undiscovered location wafting into my backyard.

I suspect I miss many of them, caught in the day’s little trials and busyness. A couple of them so far have been crystal clear. Around my new neighborhood in Lafayette, I smell the playground of my kindergarten, Mac Donough 35 on St. Roch Avenue in New Orleans. (ain't there no more), and the memory of my little friend Jane Ranson showing me her baby toe. It must be a specific combination of flora and fauna that I come across that does the trick like Proust’s madeleine. It sends me right back there.

I believe that most of these moments of nostalgic sensation are the reservoirs of our memories that have been re shaped and re imagined over the course of our lives, transformed but not lost. I’m trying to stay awake for them, God’s little messages, nudging me on.

July 24, 2022

We left the hospital in the van from hell. I could not believe that the vehicle used by institutions created to heal and care for, in this case, the frail, sick and elderly, could be so entirely pieces of junk. My 100 year old mother, who had suffered a fractured femur repaired three days earlier with several screws, sat in her usual upright posture, strapped to a wheelchair that was held to the floor by four thick cords. None of this reinforcement seemed to keep her, and myself on the seat in front of her, from being jostled around like a blow up yard decoration in the wind. I wondered about patients with internal injuries, and if their transport would be handled any differently. Her poor leg, propped up on the foot holder of the wheelchair, jostled with every bump and hole of the parish roads leading to the rural town of Lacombe, north of New Orleans, the town where her parents had once had a home, passed down to her sister and her children who my mother had taken in over the years at various times of transition; where my brothers used to catch fish at the fish hatchery in the 50s. She had come full circle back to the land of her roots to heal.

During her three days at hospital, she had developed the idea that she was dying and that all this fuss was really not necessary. She had come up with several ideas to speed up the process. Can you just hit me over the head? How about one of those pills that just makes you go to sleep except you don’t wake up? Or how about just some whiskey? How much of this was the effect of the anesthetic and pain meds, I’ll never know. But in the van ride, it continued.

This must be strange for you. How many daughters get to go with their mothers like this to be buried? That’s where we’re going, isn’t it? To the cemetery?

When I tried to explain that she had broken her leg and was going someplace where we could get help to heal from it, she insisted that the leg didn’t hurt, that at this point in her life, why bother with all this, she was not going to be around long enough for any of this to matter. This was all said with a calm and serene, often flippant manner. No complaining or frustration, more of a commentary on the absurdity of it all.

As I consider this now, all the physical, occupational and speech therapy. The switch to pureed food, the leg braces, the exercises, I wonder: what if we had just brought her home, put her in a recliner next to a nice window, a potty chair nearby, let her eat and drink whatever she wanted and die there without all the institutional hassle.

Of course, you never know. How long will it be? Will she walk again? Will she aspirate her food and die of pneumonia? What should I be doing now? What’s the best solution for everyone?

I had her here close to me for three blessed months during the most glorious autumn I can remember. That’s what I know. The rest is past.

October 20, 2022

The night mama died, I leaned over the kitchen table to clear it for dinner. A powerful feeling of dread came over me. I had experienced this feeling, a kind of cold gripping in the heart area, only once before, the night I learned that my father had suffered a heart attack and gone into a coma. That was 34 years ago. Both times I knew what the feeling meant, and both times I dismissed it, let it pass by me. As I had done with her the previous three months, I would listen to professional warnings and observations, but not really take them in.

This time was somewhat different because I am now 65 years old instead of 30. It’s different because she was 100 years old, daddy only 71. Because after spending hours with her that day as she slept, holding her hand as I said a rosary, stroking her forehead, I felt that she was ready. Of course, I would never be, and she knew that. One day when she mentioned her own death, I must have made a face because she said, you don’t like to hear me talk about that, do you?

So that night, although the strong wave of dread had passed, a less intense version of it lingered. I did not go back to see her that night. I regretted it later, but now I believe it was best. Death seems a private thing to me, especially one that is timely and considered a path to a new realm, and especially for someone as private as she. I had called my brothers that afternoon to tell them the warning of the nurse that it would likely be only days. We were all thinking of her, wondering what to do next. One woke early the next day, the other texted me late that night. We were all together in the ether when she chose to leave. As my son said, I had her for 65 years, but it would never be enough.

The Divine Message of Clouds

The Divine Message of Clouds

This is the summer of clouds.

As a child in New Orleans, I spent many hours lying in the backyard with my dog, Babs, (named after my brother’s current squeeze) staring up at the clouds. I didn’t have many friends nearby. My dog was not allowed to come inside the house, and that made me so sad that I spent hours alone with her outside.

These days, I walk with my dog, Summer (named for the season, I suppose, she came so named), every day in the neighborhood. Behind the school buildings down the block is a large open field for play and sports surrounded in the distance by forest and a few houses and low buildings. I have an unobstructed view of the dome of sky. On most humid days in summer, it is filled with enormous mountains of cloud. Late in the evening sometimes it is layered with low, dirty ones closer to the horizon followed by layers that increase in brightness tinged with gold and ultimately clear to an evening gray blue.

What I’ve thought of this summer, is how the clouds push against each other, either in an adagio motion on a hot still day, or faster together when a breeze is present. Once the motion begins, the shapes shift and change into the various animals and faces we guessed at as children. What the shapes will become once the motion begins, is out of the clouds’ control; they will be what they will become, without any outside influence other than humidity and air currents, and all the other things I know very little about but leave to those who study the weather.

Each living and non-living thing on earth, which includes each of us, our families and friends, our pets, the mosquitoes and the heat, the wind and the passing cars, exerts a force, psychic and physical. Once the force manifests, its energy becomes what it will become in the universe, and its effects often are never known.

Which is why I hope and desire and practice that the force of my psychic and physical energy, thoughts, words, actions, are connected to a divine force that works beyond my capacity to create. If my force is aligning with what is beautiful and good (even those things that I may perceive as not so) then perhaps I will have a positive effect on my little world. It is not my job or the clouds’ job to predict an outcome, or to judge an event, but only to align with something outside my small self that Sees the bigger picture, which I in my undeveloped human state, cannot pretend to See.

A Mother's Prayer

A Mother's Prayer

for Katie

 

Forms change form yet light remains.

 

In the vast dome of robin's blue

Above my somber head,

In that abundant ocean of light,

vibrant clouds that float like fresh milk

I will see you. There. 

 

When darkness enfolds 

After shadows dissolve 

Sparks of gold appear.

In that shimmering presence, 

year after decade after century,

I will see you. There.

 

In the countless prickly needles of our lanky pines,

In the infinite white shells of Pontchartrain,

In the tender blades of grass that daddy tends

and the precious creatures that crawl 

beneath my feet or sing in dark forests,

I will see you. There. 

 

Forms change form yet light remains. 

 

You, Divine Light, have joined the sky and stars,

the sea and wood,

the swirl of endless life and love

that was,

In the beginning, 

is now,

and ever shall be.

Amen. 

 

I see you. There. 

 

 

Piano Recital

It is at the end of the year, listening to my students play on recital, that I renew my commitment to my calling as a teacher, to this part of my spiritual path, as my friend says, yet another access to the divine.

Listening to my students at the recital is a nerve-wracking thrill.  I play along with many of them, my heart rate faster, my mood elevated. I listen to the songs they have worked so hard on for weeks, and hope to hear the details: that crescendo, that bit of pedal, the slow quiet of an ending phrase. But it’s not just the music I hear. I listen and remember. One phrase might remind me of the fact that this boy, with his quiet, calm demeanor, did not smile for the first three weeks. Now he bows with a smile as wide as the keyboard. The next one up and I remember that this one would bang the keys for every mistake, slap her forehead and groan. At recital, she wades through mistakes like a pro, faking it when necessary. This year, I’ve learned a lot about teaching, even after having finished over 35 years of it. One main thing is to let go, not force. To talk about playing from the heart, not the head. To make jokes and laugh more. And to listen.

It's about a whole lot more than the piano. There’s the girl who came in crying after a hard day at school, feeling misunderstood by teachers, forced into a ‘stop and think’ room. Or the boy who can’t sit still one day, who had lost both recess times to an unfinished math test in third grade. The girl who watched her cat die in her living room and wrote a song for him. The one whose uncle passed away and who wants to play the same song his uncle played when he was in high school. The one whose brother’s truck rolled over in a ditch. It’s about listening.

Music is about feelings after all. There are moments when a child truly feels the phrase for the first time, not just shaping it because I say music has shape but feeling the shape and mimicking it with her body. Or maintaining extraordinary focus on a one-minute song, creating startling intensity to convey the sense of aT - Rex or a shark, or drifting clouds or shimmering stars, or whatever the composer intends in her song. The moments when their hearts and fingers are in sync and the feelings come out. For me the experience is profound whether the source is a 5-year-old beginner or an advanced high school student.

Then there is the arc of years. The experience of sharing a life from age 7 to 15 years, through middle C to Clair de Lune, through giggling to disdain to mutual appreciation.

I imagine college level piano students might consider a lifelong of teaching kids to play their instrument torturous, perhaps beneath them, boring and uneventful, humorless. Not all of them will have the opportunity to experience it. Many of them hope they never have to. But in the world of piano teachers, our little secret is that above all the tedium of thousands of middle C’s, we are lucky to be able to do what we do. Boring, sometimes, humorless, never. Meaningful, always.

I have weeks when my skin is crawling, and I don’t know how I’ll face another child at the piano. But those weeks are rare. And at the recital, listening to each studied crescendo and ritardando, I feel a love unlike any other of the loves in my life, for these children. I love their vulnerability, their pride, their work, their goofiness, and the music that comes out of their grubby fingernails. There is something about it that elevates me, deepens me.

 I guess I’ll be one of those eighty-year-old piano teachers, with gray hair, smelling of lavender, whose five cats take turns at the piano bench next to a student whenever they get a chance. I hope so, anyway.   

The Multiple Silence of Trees

The woods surrounding my home are filled with popple trees. Popple is a colloquial word that has been in use for more than a century in the upper Midwest to denote several species of whitish-greenish barked trees. It includes some aspens and some poplars and birches. In winter they line up sentry-like, hundreds of them, dancing in the ever-increasing midwestern winds. I love the way they sway in unison; I love the color variations of the bark and how “far the stems rise, rise until ribs of shelter open” to quote Denise Levertov.

I adopted the image of these trees in meditation to remind me and bring me back to my center, to my deepest self “which for convenience I call God,” to quote Ettie Hillesum. It was not until after I began to use this image that I was amazed to learn how trees communicate, through root systems, sending messages to each other, warnings of insect invasions, forest destruction, coming storms. The image of these trees, the mass groupings of them, so close together, came to represent for me a place of peace and harmony, of connection to the universe, a breathing union with life itself. “To hear the multiple silence of trees. The rainy forest depths of their listening.” Levertov, again.

Listening. Perhaps the most important thing humans do on this earth. This credited to Ettie.

Then I learned that there is a forest of aspens that makes up the largest organism on Earth. This forest and its endangered status are discussed by Forbes and PBS among many others. Pando is the scientific name for this organism, ‘the one-tree aspen forest in Utah made up of over 47,000 trunks, and millions of leaves, connected through one root system.’ (https://pandopopulus.com/pando-the-tree/)

It is described as a quaking aspen clone of 47,000 stems, as perhaps the world’s oldest, heaviest thing, estimated to be 80,000 years old.

Again, from pandopopulus:

Above ground, Pando appears to be a grove of individual trees, like any other grove. It was overlooked, for years. But underground everything is connected by a single and vast root system. It is one tree. A one-tree-forest.

Pando is a fitting symbol of our common and threatened life together, and our ability to endure.

Former First Lady of California Maria Shriver puts it this way: “Pando means I belong to you, you belong to me, we belong to each other.”

I am choosing not to focus on the possible threat that exists to Pando, or to all of us on the planet, but to hold the ecstatic possibility of such an organism along with the constant dangers of human forgetfulness, in both hands together, both parts of our evolution from here to there.  

Commonplace Books

Children love to collect things. In Hermione Lee’s biography of Penelope Fitzgerald, she describes her subject at age four collecting and making little piles of rose petals, naming and burying them. She also collected any number of things from the garden of their small cottage in the English countryside, bringing them inside, sorting and counting. My children did the same thing: feathers, shells, rocks, sticks, flowers and leaves stuffed into their pockets and brought inside to sort and arrange like living collages.

I collected all sorts of things as a child. From the back seat of the station wagon in 1960’s New Orleans, I copied phone numbers and names of businesses off buildings and vehicles. These were written on slips of paper, whatever I could find, and stuffed inside an old oblong wallet, white leather with black stitching, that my mother had thrown out and given to me. My many collections filled my bedroom. Blown glass animals, ceramic horses, tiny boxes, paper, stationery, erasers, Barbie clothes, books and more books. Mardi Gras night we all came home, counted and sorted or beads and trinkets, traded and collected them year to year.

Collecting is an expression of self, a creative extension of personality. When I collect things now I feel a direct connection with that child, much the same as when I play with a dog or climb a tree. I have snail-mail pen pals all over the world who announce in their profiles all the things they collect, from hotel stationery to view cards with butterflies to paper napkins. It’s extraordinary.

Hermione Lee’s biography of Fitzgerald also brought me to the existence of the ‘Commonplace Book’. These books have been around since the time of Marcus Aurelius. Many famous writers and artists are known to have kept them during their lifetimes. At Oxford, Fitzgerald encouraged her cronies to use one, and the concept was actually part of the curriculum.

The commonplace book is an answer to my life-long struggle of collecting thoughts, ideas, poems, quotes, books, movies, inspirations, conversations. I have notebooks, slips of paper, calendars, index cards stuck all over the place. Every now and then something amazing happens where several of these things from different sources connect and form a magic circle of inspiration. The synchronicities are called forth from the universe or who knows where, and start to appear in these little baubles that I record over a period of time. With a commonplace book, all these things are in one place, a notebook, a catalogue, a set of index cards, or files on an IPad. The connections can be seen and experienced and saved to be revisited as often as needed. Several of these have happened to me lately, one involving Gerard Manley Hopkins and Edward Hirsch, the other with TC McLuhan, Carl Jung and Clarissa Pinkola Estés, the latter connected to a letter from my 88 year old pen pal in Wales.

It is a way to simplify the overabundance of stimulation that bombards my poor brain  in this modern age. When I write down a poem from the New Yorker, or something funny or profound from a conversation with my husband, or a six year old student’s wise comment, I add it to my collection. Over time the collection becomes an expression of a life, perhaps not anything anyone else will make sense of or even be interested in, but the process of doing it refines my sense of self. It connects me with my child-self, brings me closer to the Source, to what is real and true.

So I encourage you to collect something, preferably something small, not old cars or airplanes, and when you tend your collection, reconnect with who you were in your gladdest moments as a child. Also, try the Commonplace Book, it may be the best idea I’ve come across in decades.

Conversation Exchange

She talks to me in front of a blank white wall.

It is all I know of her house

perhaps all I will ever know.

Yet I glimpse things

imagine them:

an alcove

dark bricks with vines

plum trees

an ancient stone gate

two sets of steps

also stone.

Through a window a metal

bench in a dreary mist

near a small pond with reeds,

lilies, and white-barked trees.

This is all in my head of course.

She is thousands of miles across an ocean

thinking in a different language as

she tries to learn mine.

We laugh together

and are sad together.

We have never met.

We may never meet.

A friendship borne of Covid

and my love of French.

The images play against her wall

like my dream.

Trumpeter Swan

The Sidewaks iced and rigid

Shoeprints pressed like fossils in rocks

She navigates with care and for no reason

begins to run.

I have to hold back not to slip.

She noticed first the pink-edged feathers at the snowy curb.

The body lay beyond with its red open wound.

Black leather feet

ungainly awkward protrude up.

I was glad not to see the eyes

Blank and waiting.

Another solitary trumpeter swan flew over.

The trumpet sound lonely and sad.

Canada geese mate for life

I don’t know about trumpeters.

I hurried ahead and took the long way home

Not wanting to cross the dead bird again.

At the river a family of trumpeters:

Bright-white parents

Soft-grey young

Floating in the ice floes

Calling to one another

with that singular note

they often choose.

Ringel Ringel Reihe

The opening of my new story, hopefully to be published soon:

Marie waits for Dietrich, as she has every day for two years, on a crumbling stone bench facing the Burgplatz in Essen. It is warm for November, and she wears only a light wool coat and beret. Behind her sits the ruined cathedral of Saints Cosmos and Damian whose bells have been silent all this time. Since the war, the charred stone arches are open to the grey-white sky, the symmetry of stone and stained glass shattered by bombings, and the structure is a heap of rubble overgrown with weeds and vines. Marie waits for Dietrich, but she is not convinced that he will come, or even that he is still alive. At her apartment on a table by the door, sits a collection of letters that she has written, to Dietrich’s family home, all returned to her, marked unable to deliver.

Near Marie’s bench a group of children begins a circle game, singing a chant, Ringel, Ringel, Reihe, Ring around the Rosy. Marie’s eyes close and the scene around her is gone. In her head is the opera Wozzeck whose last scene includes a circle of children singing that very song. The haunting tune in the horns and strings opens the scene, and the children’s chant begins after an eerie harp glissando. In the opera the children clasp hands while a little boy circles them riding on his toy horse, his meager ethereal voice echoing: hop-hop, hop-hop, hop-hop. He continues his shrill song even after they tell him his mother is dead, murdered, of course, by his father, since all opera is overwhelmingly tragic.

No ordinary summer

In my dream the little league was playing down the street from my house as they do every summer. In this small Midwestern town, it’s like Dandelion Wine, Ray Bradbury’s memoir of a childhood summer in early 20th century (white) America. Barefoot kids ride their bikes with fishing poles attached to their backs; cheers erupt at all hours from the high school stadium; the marching band practices every morning, doing their maneuvers in and out of the school parking lots.

Not this summer.

But in my dream the little league played to a noisy crowd, little kids were running around, parents talking, some yelling. One of my former students, Reed, now a grown young woman, slid into third base. A dispute began over whether she was safe or not. (Why Reed? I don’t know, I often dream of my favorite students.)

I saw it all through a grainy lens and underneath it was a sense that something was terribly wrong. A man stood near me talking, and I found myself staring at his mouth and the spittle coming out of it with every word. Then I remembered and stepped back from him. I had forgotten, as I do sometimes for a few minutes when fully awake, that this was no ordinary summer. I’d left my mask at home.

As I stepped back a loud, rusty Ford diesel pick-up drove by blaring the famous song DILLIGAF (look it up, it’s not pretty), flying US and blue striped flags, with TRUMP in block letters on the back windshield. Bradbury’s idyllic American summer turned nightmare.

From "Marjorie" : Hanging Clothes

The sun warmed her bare legs as its rays just began to touch the water of the bayou. The porch was very high, twenty or thirty feet, or was it fifty? It made her dizzy to look down, but the railing felt solid at her waist. Sometimes there were ducks, or little fish that made the water shimmer and vibrate across the surface of the bayou. Little waves lapped at the sides of the fishing boat.

The warmth climbed up her body and the sky began to take on the deep blue color of summer. A sudden urge began deep inside her body. It hadn’t started with a thought as in normal urges where your mind decides something and your body follows. Instead, it was the other way around. The body trying to get the mind to remember. She lifted both arms above her head reaching high, stretching and swaying a little. The stretch felt good. So did the sun on her arms and chest.

‘Mama?’ Her son’s worried voice. ‘What are you doing?’

She had to make an effort with the interruption to stay there in that place. To keep going back as though something had been lost, a key in the dirt, and you walk over the spot slowly, slowly searching every inch.

‘Mom,’ he said. ‘Did you sleep okay? It’s early.’

She lowered her arms. ‘I’m enjoying the sun.’ Her mind finally caught up with her body’s memory and she saw the lines against the blue, felt the grass tickling her feet, smelled the china ball trees and the dark humidity of New Orleans. The sheets taut, swaying in the wind, the clothespins lined up straight like toy soldiers.

He said, ‘I made some eggs. I’ll bring them out here.’

She sat down a white rocker near the railing where she was still in the sun. ‘Oh, thank you. You treat me like a queen.’

The urge remained in her belly like a child waiting to burst out of the door to run to their daddy. That joy. She had loved hanging clothes.